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Screen Trip - FILM REVIEWS AND CRITICISM

BALLETS RUSSES (2005)

December 6th 2008 09:37
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Ballets russes
Ballets Russes is a charming documentary about the world of dance, capturing over half a century of the history of the most famous 20th century ballet company, The Ballets Russes de Monte Carlo, and inspired by its 75th anniversary reunion celebrated in 2000. One does not need to know a thing about ballet to enjoy this film, which effortlessly lifts the curtain to show us the backstage of one of the most difficult, even harrowing high art forms ever invented. The name Ballets Russes is perhaps best associated in the public imagination with the great impresario Serge Diaghilev and the extreme talent of dancer Vaslav Nijinsky, however that incarnation of the company ended with Diaghilev’s death in 1929. Only few of the dancers went on to form the new company, among them Alicia Markova, interviewed here. Originally composed of predominantly Russian émigrés, like the famous “baby ballerinas” Tatiana Riabouchinska, Irina Baronova and Tamara Toumanova, the troupe slowly became more cosmopolitan, adopting dancers during its world tours, like Miguel Terekhov from Uruguay, and introducing onto the stage the first Native American dancers, such as Yvonne Chouteau and Maria Tallchief, and the first African American ballerina Raven Wilkinson, despite Ku Klux Klan threats. Initially though pretences were kept up: American dancer Marc Platt was asked to change his name to Platoff so as to seem Russian. The company mesmerised audiences all over the world introducing them to ballet under the reigns of choreographers George Ballanchine, Leonide Massine and David Lichine. It eventually split into rival companies, the Ballets Russes de Monte Carlo and the Original Ballets Russes, and went into decline during the 1960s. The dancers endured continuous travel, difficult wartime conditions, personal and financial sacrifices, personality clashes, love affairs, cutthroat showbusiness practices and occasional Hollywood escapades to star in musicals. Amazingly, this strenuous lifestyle allowed most of the dancers to reach their late 80s and even 90s!



Baby ballerinas
The famous 'baby ballerinas' of Ballets russes

What makes the film special is the sense of humour and natural appeal of the charismatic personalities on display, to name a few: the incorrigible flirt Nathalie Krassovska, the egomaniac Mia Slavenska, who - while wearing an undoubtedly authentic museum piece of an eye-popping art deco outfit – exhibits an altar she has created in her own honour, or the brilliant gossip Frederic Franklin. Many of the dancers went into teaching, wanting to pass on the magic to a younger generation. Even Wakefield Poole, who made it into the Ballets corps but found the bus journeys too tiresome, went on to gain fame and acclaim as…the director of high art gay adult films!

Directed by documentary filmmakers Dayna Goldfine and Dan Geller, who have previously collaborated on Isadora Duncan: Movement from the Soul (1989), the film is carefully researched and jam-packed with archival footage from public and private collections, interviews and, amazingly, even tongue-in-cheek dance demonstrations by its almost centenarian subjects. The filmmakers tend to walk on tiptoe (pardon the pun) around major scandals, and avoid dwelling on the more controversial issues at all costs. A nostalgic celebration of the rich cultural heritage of ballet, Ballets Russes does however recapture for us some of the pivotal yet ephemeral moments of dance history.

Review by Patricia Bieszk

© Copyright P. Bieszk 2006.

Originally published on The Scene.

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