PAPER DOLLS (2006): Or, did you know that there are drag queens in Israel?
January 9th 2009 09:07
Category: No Category
The Paper Dolls are gay Filipino expats deemed “half women half men”. Marginal amongst society’s margins, their complex lives are open-heartedly revealed to us. Working in Tel Aviv as caretakers for the elderly in Orthodox Jewish communities, their temporary visas expire the moment they lose their jobs, and as a result, they are constantly hiding from officials eager to deport them. After work they get dismissed by prettier, more mainstream drag queens, who regard them as amateurs, and by club owners, who find new ways to humiliate and exploit them. Homophobia is expected in this environment so any sign of interest and acceptance is treated as a wonderful gift, rewarded with unfailing devotion and care. Despite the general stance of spirited naïveté this documentary enthuses, it stumbles on uncharted territory, much like the director Tomer Heymann, who came across the amateur cabaret troupe The Paper Dolls in an alley, after one of their shows.
The director then went on a zealous mission, filming issues not easily spoken about, and cultural gulfs difficult to imagine how to cross. What makes this film so compelling is his contagious fascination and emerging genuine friendship with his subjects – he even gets them an audition and talks his bewildered mum into allowing the troupe to practice at her house! The sheer spirit of the Paper Dolls and their continuous drive toward self-expression against all odds does not fail to impress. The unlikely bonds they manage to forge with each other, with Tomer, and especially with their retired employers in such a hostile socio-cultural climate, sends a message of hope and affirmation to flaming creatures everywhere. This documentary offers valuable insight into extreme cultural clashes and a social cross-section of a part of the world rarely seen on the screen.
Review by Patricia Bieszk
© Copyright P. Bieszk 2006
First published in The Pundit, July-August 2006, p. 33.
Sally, one of the members of the Paper Dolls momentarily sans the glamour, affectionately bickers with her elderly employer Haim
The director then went on a zealous mission, filming issues not easily spoken about, and cultural gulfs difficult to imagine how to cross. What makes this film so compelling is his contagious fascination and emerging genuine friendship with his subjects – he even gets them an audition and talks his bewildered mum into allowing the troupe to practice at her house! The sheer spirit of the Paper Dolls and their continuous drive toward self-expression against all odds does not fail to impress. The unlikely bonds they manage to forge with each other, with Tomer, and especially with their retired employers in such a hostile socio-cultural climate, sends a message of hope and affirmation to flaming creatures everywhere. This documentary offers valuable insight into extreme cultural clashes and a social cross-section of a part of the world rarely seen on the screen.
Review by Patricia Bieszk
© Copyright P. Bieszk 2006
First published in The Pundit, July-August 2006, p. 33.
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